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"The Avatar State" If only we listened to you. sounds like someone's got a case of "destination fever," heh. These people just showed you great kindness. (As the mount the top of the hill, the camera angle begins to whirl around Sokka, ultimately revealing the city in front of them.) Despite the dangers of meeting, the loving couple found a way to continue their relationship in secret. Katara: Both villages helped her build a new city where they would live together in peace. Katara: That must be the way out! Cut a long shot of a Fire Nation tank rapidly approaching the camera, then cut to another overhead shot from the cavern entrance. His hair is no longer in a pony tail and now lies tangled in a wet mass on his head. Cut to an interior shot where Zuko, Iroh and Song are seated at a knee high, Asian styled table. As the camera zooms backward, huge columns of rock enter from the bottom of the screen.) (They move forward to a railing, then cut to a long shot of the three at the railing from down inside the tomb near the sarcophagi. As they pass the courtyard gate the see a stable where a war ostrich is tethered. Sokka's eye steal over to the singer before the shot cuts a wide shot of Aang addressing the rest of Chong's troupe.) Thanks for everything, Moku. (She reaches out to touch his scar, but Zuko grabs her hand without looking before she reaches his face.) Aang: We can make it. Sokka: (firmly) Look, I hate to be the wet blanket here, but since Katara is busy I guess it's up to me. It is considered the birthplace of earthbending and has become a place of legend revered by bards. The Cave of Two Lovers appears to be based on the Labyrinth in Greek mythology, as both structures are designed to be virtually impossible to navigate.
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This fades, replaced by a close up image of their hands touching. After a few seconds, a wolf bat flies right into the camera.
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By reading script engraved on the walls, they learn of the true story of the two lovers. As the shot settles, a blank parchment appears in the middle of the screen, partially obscuring the city.) She stands head lowered, her arms straight out from her sides and her palms facing outward. Cut to a close up shot of Katara's back, where a soft breeze blows her hair and robes slightly. (Cut to a close up shot of Aang and Katara facing each other, their hands laced together.) Two holes are blown open next to the tunnel exit to reveal the tow badger moles. (Cut to a wide shot of the badger mole as Sokka slides down the side of the animal and runs over to Katara.) Around his eyebrow lie several braided locks of his fur which are adorned with many small, pink flowers. Zuko: I haven't seen my father in many years. Katara: (voice-over) But their love was strong and they found a way. When the pan comes to stop, Aang and Katara stand beside each other, one hand each on the burnt out torch. Cut to Zuko and Iroh riding away on the ostrich, then cut to a close up of Song looking out from her front door.
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(The show returns to reveal a dark, overhead shot of the group inside the tunnel. (Zuko looks away as the camera cuts back to the tunnel.) Book Chords. Two of the figures, Aang and Katara face each other like gunslingers in front of a natural arch of stone that protrudes from the cliff wall. Meanwhile, Zuko and Iroh are sheltered by kind villagers after Iroh accidentally drinks tea made from a poisonous plant. Momo begins to make hand gestures to illustrate his tale as Appa grunts and puts his head on his forepaw as he listens to Momo's explanation. Iroh: Zuko, remember that plant that I thought might be tea? Song invites the two to her house for dinner that evening, an invitation they eventually accept when she mentions her mother would be cooking roast duck.